Friday, May 13, 2005
art and science: academic questions
There is a striking difference between trying to answer the questions of life through the eyes of science and trying to use religion and art works to find meaning in life. Although both kinds of thinking are products of human creativity, people have created a huge gap between the two sides and even set up an opposition about which kind of thinking is the "right" way. Humans used to have ultimate faith in the idea that God would eventually provide all the answers, or if He did not give the answers in this life, the belief in an afterlife would save humans from the futility and finitude of physical existence. Science has begun to overthrow blind faith in a god by disproving certain things in the Bible and other religious documents. Why have humans made the gap so wide and therefore irreversible? Where does this increasing gap leave humans (what
comes next in the process)? Can we really be satisfied with merely scientific ends (do we need religion and if so does the individual need it or does society need it)?{Are you willing to accept this dichotomy? Are you arguing that the pursuit of science is free of ethical underpinning?}
Works of art used to be revered as the real embodiment of Divinity (example: Greek statues of gods actually were the god, not a mere representation). "Art no longer affords that satisfaction of spiritual needs which earlier ages and nations sought in it" (Hegel's Aesthetics 10). Art is not as closely linked with religion as it once was; it has become more of a pastime than something really meaningful. {Might this reflect our constant modern need to be entertained? Could this also reflect our attitude toward religious observance?}
According to Freud's The Future of an Illusion, humans have a fear of nature (26). In order to defend ourselves against nature and make communal existence possible, mankind created culture. All works of culture are a product of the human need to protect itself against nature's wrath. In the natural sciences, man merely tries to understand nature and is still "helplessly paralyzed" under the power of nature. In order to escape this paralysis, we anthropomorphize the forces of nature as acts of an "evil Will" and place a personified God as the creator of nature. By placing nature in the realm of humans, we are no longer required to fear it as a spontaneous element of destruction. Man can now try to appease and bribe the personified creator as if He had the same human desires of man. If humans can succeed in appeasing God, then he will theoretically either stop the destruction of nature, or provide an afterlife to make up for physical life. Thus man is able to believe that he has a certain amount of control over nature. {How is this supposed feeling of control reflected in art? Is art also about control?}
"...(T)he young scientists now feel that they are part of a culture on the rise while the other [artistic, literary intellectual culture] is in retreat" (C.P. Snow's The Two Cultures 19). Humans have a need to understand everything and in order to do this they turn to science or religion. Religion provides indirect answers that must be accepted solely on faith. Science, on the other hand, provides results which can be physically tested and proven. Science is closer to physical human experience. Man has begun to give up some religious dogma in order to trust something real rather than something intangible and (in many cases) unexplainable. {How does imagination further the cause of science? Is this different from the artistic impulse?}
other culture, so they grow farther and farther apart. They will continue to grow apart as long as they cannot communicate and exchange interests. {Again, is it part of your thesis that the two be mutually exclusive?}